Pia-Nino
A painted society gathered around music, taste, noise, and the fragile idea of quality.
Pia-Nino is a work about listening. Around the piano gathers a mixed society: some figures belong to the world of quality, taste, and attention, while others bring noise, excess, and instability. The artist places herself within this listening society without turning the painting into a literal self-portrait. The piano notes refer to the Georgian song "Tbiliso," making music a carrier of place, memory, and belonging.
Archive Registry
Thematic Keywords
What to Observe
- •Music as social structure
- •The piano as a gathering point
- •The contrast between quality and noise
- •The hidden self-presence of the artist
- •The reference to Georgian musical memory
Selected Details
Detail I — The Piano
The piano becomes the center of the painting, a place where different social and emotional worlds gather.
Detail II — The Notes
The written notes connect the work to Georgian musical memory and to the atmosphere of Tbilisi.
Detail III — The Listening Society
The figures are not equal in tone; some listen, some perform, some disturb, and some simply occupy the room.
Wearable Connection
Selected fragments from this work may be translated into limited silk editions — not as simple reproductions, but as wearable fragments of the Visual Archive.
Inquire About This Work
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